Homemade Relics

posted on April 29th, 2008

homemade relics

Painter Carlo Angelo Saavedra calls his new works “imperfect objects”. Outwardly true; the treatment of the paintings is far from standard, e.g. frames, hacked with a dull axe,  smeared in paint overflowing the canvas limits, suggested figures emerging from a coat of mud-like mixtures, surfaces abused with the constant process of trial and error.

However, beneath the seeming imperfection of his works, Saavedra holds that his aim is not to deconstruct or to deface. According to the artist, it is quite the opposite. With salvaged pieces of wood and old paintings, Saavedra says that by giving these found objects or subject matters new identities, one still engages in the process of creation. “I’m never iconoclastic”, he says. “The job of a painter is to make a memorable painting, not to vandalize for the sake of temporary provocation.”

homemade relicsAnd despite a number of people always commenting that his paintings never veer away from the macabre, Saavedra insists that he is above all, optimistic. Inspired by poetry and, what e.e. cummings describes as a fascination with the verb and the movement it creates in language, Saavedra also points out his fascination with the synthetic quality of poetry and how within this idea there resonates something autobiographical.

Quite often these random phrases when taken alone, only conjure a generic event. But, in his idyllic world, Saavedra shows lying beneath the irregularity and the ambiguity of it all, the simple idea that the creator can own the generic and turn it into something personal.

Seemingly, on the walls of the gallery are discarded “relics” which seem fueled by that unexplained angst that people always see in Saavedra’s works. Contrary to that, his works are in fact merely products of his preoccupation with doing things his way - not with a deep irreverence or over conceptualization of art, but with a solitary need to develop a positive autobiographical inspiration, combined with something philosopher Alan Watts described as, “a sense of material competence” needed “to do the fundamental things in life.”

Homemade Relics opens on the 6th of May at Artinformal, 277 Connecticut St., Greenhills East, Mandaluyong City. The exhibit will run until the 20th. For inquiries, call 7258518 or sms 0918-899-2698.

Nature Walk to Mt. Banahaw

posted on April 2nd, 2008

National Museum Goes “Nature Walk” to Mt. Banahaw

Have a fun-filled and knowledge-loaded activity this summer. Join the National Museum as it invites natural science teachers, students, nature lovers and interested individuals to a “Nature Walk” in Mount Banahaw in Quezon Province from April 24-25, 2008.

The activity involves flora and fauna species identification; field demonstration on how to collect and process animals, plants and fungi; nature photography; lectures on concept of parks and protected areas in the Philippines as well as nature preservation awareness.

Slots are limited and participants will be accepted on a first-come-first-served basis.

For more information, please get in touch with Mr. Mel Lagartija or Ms. Rizza Salterio of the Museum Education Division at telefax 5270278.

12 Human Senses

posted on March 26th, 2008

Impy Pilapil Interactive : 12 Human Senses
22 Feb - 22 August
Gardens in front of
the Ateneo Art Gallery

The Ateneo Art Gallery is located at the Ground Floor of the Rizal Library, Ateneo de Manila University, Katipunan Avenue Loyola Heights, Quezon City. It is open from Monday to Friday from 8 am - 12 noon and 1 pm – 5pm; Saturdays from 8 am – 12 noon. For inquiries or more information please call Ms. Yolly Arambulo at 4266488 or 4266001 ext 4160.

We are making availale an article written by Alfred A. Yuson about the interactive sculptures by Impy Pilapil. The article is available in pdf and zipped pdf formats.

April 2008 Activities

posted on March 19th, 2008

sn/ip + twist + fold with Mr. Ral Arrogante
A metal sculpture workshop
When: April 10 & 11 (Thu & Fri) · Time: 10:00 am – 3:30 pm · Venue: 4th Fl, Tambunting Villonco Hall,Museum of the Filipino People · Fee: P2,500 for members and P2,700 for non-members. (Early registration on or before March 31entitles participant a 10% discount)

Discover how to create art from junk material. Old toys, office equipment, spare parts suddenly find themselves not as useless matter but as part of an artwork, made with care and to be admired.

pound, sn/ip, fold, p-oke, twist and simply have a good time by letting your creativity and imagination run wild. This workshop is being offered to prove that ordinary material can become works of art and that ordinary people are all artists. No formal art training is required for this workshop. Just come with your hands, an open mind and a willingness to have fun.

Giving the workshop is metal sculptor Ral Arrogante. Mr. Arrogante will show us how to make simple sculptures using recycled materials such as metal, wood, and plastic. He takes cold and rigid metals and transforms them into an artwork that speaks of movement and warm, endearing sentiments like amusement, fascination and nostalgia. The artist creates sculptures that are meant to connect with the viewer- intellectually, emotionally and physically.


Lecture: Inscapes by Agnes Arellano
From the series Stories about Philippine Art
When: April 12 (Sat) · Time: 10:00 am – 12:00 nn · Venue: 4th Fl, Tambunting Villonco Hall,Museum of the Filipino People · Fee: P50 for students with valid ID, P100 for members and P150 for non-members

Goddess myths and stories about the Sacred Feminine form the background of Arellano’s inscapes, a term she uses to describe her grouping of sculptures, where the viewer goes through a series of freestanding, floor, and wall pieces, often with accompanying music or sound sculpture, and gleans the central unifying concept from the totality or ‘gestalt’ of the whole environment.

The lecture and slide presentation will also briefly cover the sculptor’s varied range of materials and basic techniques of live-casting and direct modeling in both plaster of paris and clay into bronze.


Download:
April 2008 Activities: pdf | zipped pdf
April 2008 Reservation Form: pdf | zipped pdf

Double Event

posted on March 7th, 2008

Cecile LicadOn behalf of the Board of Trustees of The Francisco Buencamino Sr. Music Foundation, Inc. (FBMFI), we are pleased to announce a premiere cultural “Double Event” on March 28, 2008 at the Cultural Center of the Philippines (CCP), marking the 125th Birth Anniversary of Francisco Buencamino, Sr., the patriarch of the Buencamino clan, described by National Artist Lucrecia R. Kasilag as a well-loved and great composer belonging to the rank of national treasures in Philippine music, and the 40th year as a concert pianist of internationally acclaimed artist, Cecile Buencamino Licad.

Organized in 1989 to honor the memory of the noted composer, FBMFI assists musically talented students and teachers through its Scholarship and Masters Workshop Programs. Throughout these past years, the Foundation has provided scholarships to music students in a number of colleges and universities, including the University of the Philippines, Centro Escolar University, St. Scholastica’s College and the Philippine Women’s University. Its Masters Workshop Program has brought to the Philippines internationally renowned musical pedagogues who have conducted training seminars aimed at enhancing and upgrading the skills of music teachers in the country.

In partnership with the CCP, the FBMFI is pleased to present a piano concert featuring Ms. Cecile Licad at the Nicanor Abelardo Hall of the CCP at 8:00 p.m. on Friday, March 28, 2008. Ms. Licad, a grand niece of Francisco Buencamino, Sr., will perform two full concertos that evening: Beethoven Concerto #2 and Rachmaninoff #2 with the Philippine Philharmonic Orchestra under the baton of Germany- based Conductor, Oscar Yatco.

Tickets range from P200 to P3000.

You can download the flyer for more information or call 881-8071 or 0921-231-5621.